Mockingbird In A Blizzard
By Nadia Ranaputri

Source: Yahoo
Director: Damien Chazelle 
Cast: Ryan Gosling, Emma Stone, John Legend, Rosemarie DeWitt

Damien Chazelle has a passion for everything music. It shows through his previous success in Whiplash. Now, he returns with a musical in which style balances well with its substance.

La La Land is the tale of two star-crossed dreamers who aspire to reach their goals and dream: Mia an aspiring actress, while Sebastian an aspiring jazz pianist. They meet in what was the beginning of their journey towards their dreams, leading to romance and obstacles aplenty.

Ryan Gosling is as always, charming as Sebastian. Sebastian is passionate yet aggressive, especially towards his love for jazz. One scene I really liked in particular, was where Sebastian pours his heart out on the fact that jazz is more than just 'elevator music'. "It's dying. The world says let it die, it had its time. Well, not on my watch", he tells Emma Stone's Mia in the scene. 

Emma Stone completes the duo as Mia, a barista who is also an aspiring actress booking and auditioning roles in her spare time. Emma shines in her performance and she wonderfully portrays Mia's passion for making it big in the acting business as well as her struggle of doing so.

Source: Yahoo


The film itself is style mixed with substance. Its cinematography is luscious and the coloring made me think of the settings of a classic musical, specifically Hollywood's Golden Age. La La Land brims with touches of vintage and retro vibes, so it's fair to say that I forgot that this film is set in modern day, as La La Land for me was a modern film disguised as a classic. Somehow, La La Land's polished setting reminisces those of Wes Anderson's The Grand Budapest Hotel, with all its creative use of colors, as well as the Golden Age setting like the 2011 film The Artist if it had technicolor and audible dialogue.

For the first half of the film, it lives up to what it is: a musical. La La Land does not falter in delivering their original songs and dance numbers and you can't help but wish you were dancing and singing along with them. La La Land's numbers derives the norm of the usual modern musicals and pays homage to the classic musical numbers back in the day. My favorite number from the lot was the opening sequence that takes place in the LA traffic. The music behind it was also spectacular, from jazz to a little swing, the music creates a unique atmosphere. 

Source: PopSugar
The second half in which our two protagonists hit their speedbumps was where it briefly falters. For all its passion, it does feel realistic as not everything will go the way they wanted to, but this was also where La La Land somehow forgets that it's a musical; focusing more on the dialogue-centric scenes than dance numbers. It doesn't mean that it's a bad thing. La La Land does poke fun at the tropes of its genre, but it also shows the realistic side of things, where dreams can go sideways and cause relationships to go haywire. As La La Land starts with brimming optimism, it also faces realism in which aspirations are questioned once they're reached. It poses the question of "what would you do?" and what you would sacrifice to maintain your aspiration in a way. Still, it doesn't drag the film down, rather it draws in a lot more of the film's passion for dreamers and artists alike.
 
In all, La La Land is another strong entry from Damien Chazelle. As with Whiplash, Chazelle brings out his love for music, especially jazz, as well as the dreamers; the fools who dream. It pays homage to the classic musicals through the dance numbers and cinematography, which made the experience ever the more cherished. La La Land may have some style over substance aspects, but for the most part, it is style mixed with a passionate dose of substance.

Stars: 4.5/5 


By Nadia Ranaputri

Keep in mind that this is just my opinion. I didn't see all of the films in 2016, and I didn't write reviews to all of them that are listed under. I took my time with these films as to which will make the cut and which won't. There are some films I've praised quite highly that did not make it in. Nonetheless, here is my list of my top 10 films of 2016.

10) Eddie The Eagle
Source: 20th Century Fox

It may be a biopic that has its clichƩs, but there are so much more in store that make up for them. With humorous and charming performances from both Taron Egerton and Hugh Jackman, Eddie The Eagle was worth the time.



9) Star Trek Beyond
Source: www.comicbookmovie.com
 It's not the best film of the Star Trek trilogy, but it certainly is still good, and its tone does feel a lot closer to the original series and films than the previous two films. Some people may dislike it for that, and some people may like it. For me? I loved it.

8) The Conjuring 2
Source: comingsoon.net
I’m not usually one for horror films, yet The Conjuring 2 has its spot here. I loved the first Conjuring film, and though the second installment doesn’t exceed much of the high expectations set from the first film, it still manages to be entertaining and chilling on its own.

7) Rogue One: A Stars Wars Story
Source: starwars.com
Originally, this was going to have a lower spot, but after having seen it twice, I found that I liked it even more on the second viewing than I did on the first viewing. Rogue One may have its flaws, but it succeeds in storytelling and establishing a brand new chapter in the Star Wars universe. I also appreciate its choice of tone, as it is a little darker and grittier than the previous films. 

6) Moana
Source: Fandango
It may follow some of the same steps of a typical Disney princess film, but Moana creates so many new beats along the way that you just sail along. With a strong-hearted Polynesian princess and a narcissistic Demigod, it was bound to be great.

5) Captain America: Civil War
Source: cbr.com
Team Cap or Team Iron Man? Did they pull it off? Hell yes, they did. It might not be as good as The Winter Soldier, but Civil War still manages to be compelling and great in developing our already established heroes as well as introducing new ones without making them feel like they were shoehorned. And man, did I love Black Panther in this film.

4) Hacksaw Ridge
Source: Fandango
Hacksaw Ridge may be slow in setting up characters, but it never seems to fall flat and boring. Once Hacksaw Ridge throws them into the depths of war, all hell breaks loose and this film does not shy away from violence. It deserves its place among one of the best war films, as it deserves a spot on my most favorite films from 2016. 

3) A Monster Calls
Source: JoBlo.com
A Monster Calls may seem as if it could follow the steps of films such as Where the Wild Things Are, Pete’s Dragon, and The BFG, but the film is its own thing with wondrous storytelling and impressive performances that made it all the more spectacular.

2) Zootopia 
Source: Rhyme and Reason
An animated film with a unique story and a great message, Zootopia is one big brave film that I ended up loving the more I see it. 

And my most favorite film of 2016 is......

1) Hunt for the Wilderpeople

Source: wsj.com
The ultimate NZ gem, Taika Waititi’s latest film is filled with heart, humor, and originality that simply hooked me in from start to finish. It may not be as big of a film as the others on this list, but a small film with a big heart goes a long way, which is why Hunt for the Wilderpeople is my favorite film of 2016.

So there you have it, my top 10 films of 2016. What are yours?
By Nadia Ranaputri
Source: Comicbook.com
 Director: Gareth Edwards
Cast: Felicity Jones, Diego Luna, Ben Mendelsohn, Alan Tudyk, Donnie Yen, Riz Ahmed, Jiang Wen, Mads Mikkelsen, and Forest Whitaker.

2016 might not be a banger hit for films, but it’s been a banner year for Disney. From their own animated films that are Zootopia and Moana, to Marvel films with Captain America: Civil War and Doctor Strange, Disney is really hitting the streaks. To end it, Disney gives us another film to end their banner year: Rogue One: A Star Wars Story.

Being the first film from the already mapped out Star Wars Anthology films, Rogue One: A Star Wars Story takes place before A New Hope. After the events of Revenge of the Sith, the galaxy looms in terror as The Empire takes power with their own superweapon: the Death Star. With the Empire striking fear with their latest weapon, a group of rebels risk their lives on the line to fight their way through the Empire and steal the plans for the Death Star in order to destroy the weapon.

Rogue One boasts a pretty impressive and diverse cast on their belt. Felicity Jones shines in her role as Jyn Erso, both physically and emotionally. Jyn is strong and clever, but she was no Mary-Sue. Her backstory and how her story starts once she’s matured gives much needed ground on her character.

Diego Luna’s Cassian Andor was a very interesting yet mysterious character. You’d think that he’d have a similar kind of charm like Oscar Isaac’s Poe Dameron in The Force Awakens, but Cassian is much more stern and grounded. Still, he ends up to be more a mysterious character for me. I’m not sure if it’s a good thing or a bad thing, but we’ll get to that later.

Source: Dark Horizaons
As for the film’s villain, Orson Krennic is played masterfully by Ben Mendelsohn. Some might argue that he might be over the top at times, but given the fact that Krennic is given a heavy duty that lays great burden on his shoulders, it does make sense as to why he is what he is. He’s not exactly a villain whose strength lies on his physical abilities like Darth Vader or Kylo Ren, but rather on his intelligence and ability to set things straight.

Speaking of Darth Vader, I’m not going to say anything other than the fact that he’s there, and that I really dug his scenes. I won’t go beyond that.

And like any other films, there’s bound to be a standout character, and Rogue One has two. Alan Tudyk’s K-2SO is a wonderful addition to Star War’s ever expanding collection of memorable droids. K-2SO provides not only most of the film’s humor, but also one of the film’s emotional aspects.

The other standout was Donnie Yen as Chirrut Imwe, the badass monk who steals the screen with his fighting skills as well as some witty moments. He may not be a Jedi, but he has a lot of hope in the Force, which becomes a significant aspect during the third act.

In terms of the storyline, Rogue One is incredible in its storytelling. It’s a whole new story that’s not afraid to take chances and go beyond what has already been told. It’s also very grounded and stands perfectly on its own, despite the references and callbacks from the previous Star Wars films. What made Rogue One such a standout for me was the tone that they were going for. Rogue One's tone is more grounded, nuanced, and brutal than the other Star Wars films. Out of all, it has the most beautiful cinematography out of all the other installments.

I enjoyed Rogue One more than The Force Awakens solely because of its story and action. As The Force Awakens lacked that freshness in the storytelling due to how similar it was to A New Hope, Rogue One injects a whole new storyline that really stands out. The pacing lags a little here in there, but it does pick up enough pace to keep the story going. It definitely succeeded in creating a brand new chapter in the Star Wars universe whilst also sticking to the familiar beats of a Star Wars film. 
Source: The Cheat Sheet
 The action sequences are also magnificent, save for a little nitpick I had with the AT-ATs, or whatever they call it in the film (because it's not technically an AT-AT). Rogue One is a literal galactic battlefield, especially during the third act, which I absolutely loved; where the stakes feel much higher and the action sequences feel much more visceral as these characters put their lives on the line for a rebellious cause. There are also moments of great sacrifice that puts a lump in your throat.

Though Rogue One has excellent storytelling, its flaws lie within the characterization. Other than Jyn Erso, not much is really told about the other rebels who joined the integral mission of stealing the Death Star plans. We are told some general information, and maybe was enough for some characters. I understand that Rogue One is mainly the story of how the Rebels managed to steal the Death Star plans, but a little more depth to the characters would have been the cherry on top. The biggest characterization problem that I had was with Diego Luna’s Cassian Andor, who I said was a mysterious character. He is, and I meant that. Yes, he’s one of the rebels fighting for the Rebellion, but there were some scenes where he does some things that don’t have a background to back up his actions. It is explained vaguely though by Cassian himself in the film, but the film never really addressed anything more than that. By the end of the film, Cassian as a character remains to be mysterious, even though he’s the other lead next to Jyn Erso. If he were given more background, Cassian would have been a much more compelling character. 

Source: Entertainment Weekly/ Science Fiction
On the other hand, there are familiar characters from both the original and the prequel trilogies, as well as references and callbacks that never felt out of place and have their purpose in the film. Unlike Fantastic Beasts and Where to Find Them, Rogue One has callbacks that might require one to actually watch the previous films to understand them. Also, the ending ties very well to A New Hope, which really brought a smile to my face. 

Would I say that it’s as good as The Empire Strikes Back? For story and action, I’d say yes. Still, I would say that as a whole, I enjoyed Rogue One more than The Force Awakens because of its storytelling and how they handled the action, but when it comes to the characters, The Force Awakens still wins the latter. 


In all, I had a great time with Rogue One. It has its issues, especially with the characterizations and a few nitpicks that I have which I won’t spoil. But Rogue One manages to create its own groove with great storytelling and Grade A action sequences that are splendid to witness. As Chirrut Imwe says in the trailer: “Take hold of this moment. The Force is strong.” And despite the issues that I had with Rogue One, I did take hold of the moment through every part, because the Force is strong with this film.


Stars: 4/5
By Nadia Ranaputri

Source: Collider
Directors: Ron Clements and John Musker
Voice cast: Auli’i Cravalho, Dwayne Johnson, Rachel House, Temuera Morrison, Jemaine Clement, Nichole Scherzinger, and Alan Tudyk.

After hitting streaks with gems like the good ol’ The Incredibles (still waiting on that sequel now, Disney), Finding Nemo, Big Hero 6, Zootopia, and Finding Dory, Disney has managed to create yet another gem among their streak with Moana. It’s also Disney’s first venture into the Polynesian culture since Lilo and Stitch.

Moana is the name of its own title character, who is the daughter of the tribe’s chief. Learning the Polynesian myths as she grows up, Moana discovers her love for the ocean. When her island succumbs and is seemingly dying, Moana embarks on a quest that involves the demigod Maui, a silly chicken, and a mysterious stone.

Leading ladies are no stranger to films, especially with Disney, and Moana herself proves to be one of the best. She’s not your typical Disney hero to say the least, and princess is she not. Voiced by Auli’i Cravalho, Moana carries her own film with leading grace, grabbing the audience literally by the ear just as she did with Maui in the film, stating: “I am Moana of Motunui. You will board my boat.” And just as Cravalho said, Moana is also the hero of her own story.

Completing the striking duo of the film is Dwayne Johnson’s Maui, whose personality and story is as interesting as his many dancing tattoos that not only provide some of the film’s best laughs, but also a story and a lot of heart. He may seem cocky and narcissistic, and he definitely kept these traits even as he journeys along with Moana, but he has his heroic moments, too.
Source: NPR
The story follows a slight typical route for a Disney film, but that doesn’t mean that it drags the film down. Moana has plenty of fresh new beats to the story that you end up really enjoying the film as it sails along. Moana doesn’t beat Disney’s other streak this year that is Zootopia, but it's damn close; yet I found it more entertaining than Finding Dory. As a whole, though, Moana has aspects and story that you'd pretty much expect from a Disney film, but because it manages to have its own new beats, it's still a very entertaining film. There’s great action sequences that are swell and very, very fun. Rest assured, they’re as fun for the adults as they are for the kids.

Moana may have a few tropes on its run, but it also pokes fun at the typical tropes, kind of like how Enchanted poked fun at all the singing and fairytale tropes, like when Robert muttered out: “Oh, he sings, too” when Prince Edward reunites with Giselle. And of course, a Disney film is not without its humor. Moana is no exception. Many of the humor do hit, yet only a few don’t stick the landing.

Speaking of beats, the music in the film is a joy to the ears, with my favorite pieces from the film being We Know the Way, You're Welcome (which by the way, was a very fun sequence) and How Far I’ll Go. The songs elevate the film and I loved the use of the drums as well as the unique harmonization from the singers. Some are a joy to hear, and some add layers of emotions that really gave goose bumps for me, even if this was my first time hearing these songs (I did not listen to any of the songs in the soundtrack prior to watching the film).

Source: WRAL.com
For Disney’s latest venture of the Polynesian culture, it’s far more than impressive. Moana delves well into the Polynesian myths, complete with great songs, great characters, save for that chicken Hei Hei, who’s quite something; and another great story. It has its tropes and it can sometimes fall victim to the typical storyline from Disney, but when you’ve got a strong and spirited lead, a narcissistic demigod, and an idiotic little chicken; how hard would it be not to like it more than you should?

Stars: 4.2/5
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