Mockingbird In A Blizzard
By Nadia Ranaputri

Image source: Digital Spy

Director: Christopher McQuarrie
Cast: Tom Cruise, Simon Pegg, Rebecca Ferguson, Ving Rhames, Henry Cavill, Sean Harris, Angela Basset, Vanessa Kirby, Alec Baldwin, Michelle Monaghan.


There is no doubt that Mission: Impossible has become the franchise that significantly gets better with each installment. We go to the movies to witness the magic and fun of a motion picture, don't we all? Well, that's one of the essence of the Mission: Impossible franchise. But what sets it apart from other franchises of its action genre in the likes of James Bond or the evergrowing Fast and Furious? Each of its own installment has mastered, if not elevated the elements of surprise, action, and its most powerful weapon: storytelling. The franchise may have grown increasingly in the amount of installments, but this gem also increases in story. Ghost Protocol was the brilliant sequel/revival of the series that brought the franchise back in the game, Rogue Nation elevated the franchise even further and rival other films of its genre, and its latest, Fallout; continues to further elevate the franchise on another level.

Two years after the events of Rogue Nation, Fallout presents a new mission to IMF agent Ethan Hunt: retrieve the plutonium from black market mercenaries to prevent the Apostles, the Syndicate's newest label; from obtaining it and unleash a nuclear bomb on the world. The mission however, ends in shambles, with Ethan and his team losing the plutonium in the process. As compensation for their failed mission, Ethan sets his sights on the White Widow, a mercenary dealer under the guise of a broker, who happens to have the previously missing plutonium stored in her vaults. This is then intervined by the CIA, who thrusts one of their own into the IMF team, causing a rift between both the IMF and the CIA. To make matters more complicated, Ethan's former ally turned supposed stranger Ilsa Faust makes her presence clear in the already harrowing situation, leaving Ethan and his team with hard-hitting decisions that could either bring salvation or destruction of not only the IMF, but the rest of the world with it.

One could perhaps say that Fallout is the best of the franchise, and it could be in some ways, but in many ways than one, it stands proudly alongside its other previous installments. You've got the stars, the action, and the stunts, but what's the point of it if you can't deliver a good story along with it? Fallout and its predecessors have proven that yes, a good story it what elevates its other elements to a whole other level. This is some master storytelling at hand here. It's not often that action films, especially spy films nowadays, utilize its maze of a plot and turn it into something of a special piece of storytelling. It's not just plot twists and action, it creates real challenges for our protagonists, both physically and mentally. Fallout is what 2015's Spectre should have been, rounding up the consequences of previous events and incorporating them in a whole new canvas for a new kind of story. Perhaps Fallout is somewhat some sort of culmination of the franchise, even if it was meant to be the culmination of the franchise, it truly manages to tie the pieces together in spectacular fashion. 


Image source: Variety

And there's an incredible amount of character development that makes the characters even more than just super spies and genius tech savies. Ethan, in particular, has great development throughout the franchise. He's the kind of spy who's loyal, honest, and all kinds of badass. Even Pegg's Benji Dunn, the tech genius of the team, has been more than just the comedic relief; he remains as vital to the team as the other members. Ferguson's Ilsa has a great arc going on here, proving as more than just a mere female spy who can kick butt, and with the help of Ferguson's performance; Ilsa is also able to develop as a complex character with complex values. Ving Rhames is also given a couple of emotional moments that really hits the spot, one particular scene being an emotional moment between him and Ferguson's Ilsa. Its newest additions, Cavill, Bassett, and Kirby (though Kirby and Bassett are a little underused), bring their A-game in to the mix (especially Cavill, who manages to shed the shadow of the man of steel and kick his way in to the team as a potential ally with fierce principles and a cool demeanor).

Of course, every Mission: Impossible film is not complete without its defining trait: iconic action setpieces with the one and only Tom Cruise, and once again, it really is him doing all the exhilirating action that you see on screen. Not only that, but the action itself is another vital reason why the film thrives. Fallout has incredible action sequences that are immersive and at the same time, cohesive. And the best part is: it's exciting and exhilirating. Shaky camera work and lazy editing don't exist here, and the same applies to strokes of a one-note tone. There's an exhilirating HALO jump atop Paris' bright lights, a beautifully constructed car chase sequence around the bustling Paris streets, and the tension-filled helicopter scene that gracefully highlights the alps of Kashmir. Each of its action sequences is significantly constructed to have its own vibe and continuously excels one after the other with its stunts, setpieces, and Lorne Balfe's impressive score.


Image source: Nothing But Geek

Mission: Impossible- Fallout is proof that not only is the franchise stopping anytime soon, but also of what happens when the amount of attention and focus on creating a good story is equal to building high stakes and thrilling action setpieces that get better with each and every sequence. Fallout truly raises the bar for modern spy films and is a true rival of other films that tackle the genre. Fallout creates an impressive culmination that really pays off to the fans who have passionately followed the franchise over the years, constantly elevating its game with each installment. When you see Christopher McQuarrie's name as the writer and director at the beginning of the film, it may merely be a name, but by the time the film ends, McQuarrie is the guy you want to take by the hand and throw a celebratory party in his name because you know that he's nailed it for the second time in a row.

Overall verdict: continuing the franchise's gold streak, Fallout spectacularly nails nearly every single element that keeps audiences immersed and on the edge of their seat. Fallout further cements its great character development that its predecessor had successfully created, presenting challenging arcs for our protagonists whilst every once in a while, adding a sprinkle of humorous banter. Its action sequences and setpieces are as always, thrilling and enticing. However, Bassett and Kirby are slightly underused despite their intriguing morals, but not to the point where they're considered useless plot devices. But Mission: Impossible- Fallout, like its predecessors, truly know how to mix enthralling action, gorgeous cinematography, and an equally gorgeous score to accompany each sequence; with great storytelling. If you're looking for some damn good fun with a great story, look no further than Mission: Impossible- Fallout. 


Stars: 4.6/5

Trailer
By Nadia Ranaputri

Image source: Digital Spy, Sky/Showtime 


Series Director: Edward Berger
Cast: Benedict Cumberbatch, Hugo Weaving, Jennifer Jason Leigh, Anna Madeley, Allison Williams.

Money, drugs, abuse. These are just a couple of the themes introduced in the five part series Patrick Melrose. Based on the novels by Edward St Aubyn, Patrick Melrose is a character study of its protagonist living the rich yet miserably hollow life. Harbored by the stunning performance by Benedict Cumberbatch, Patrick Melrose begins with a doomed phone call that started it all.

The five part mini-series revolves around the life of drug-addict aristocrat Patrick (brilliantly portrayed by Benedict Cumberbatch), whose life is turned upside down when he receives news of his father's passing, forcing him to face his traumatic past that he was never able to move on from. Even if draped in all the luxurious glory of the rich life, Patrick is nothing like the rest of them. Drowsed with drugs, abuse, and utter misery, the series explores Patrick's journey from a drug-addict loner to a family man whose life continuously spirals into ruin, and the traumatic childhood that would keep haunting him until adulthood. 


Benedict Cumberbatch returns to the small screen as the drug-addict aristocrat Patrick Melrose, and he is spectacular in the role. Cumberbatch has cemented himself as one of the best actors of the generation, and his performance here hammers the nail even further. From his tantrums and comedic timing, Cumberbatch relishes himself in playing perhaps his most complex role yet, a drug addict with his heart buried under a locked coffin hundreds of feet beneath the ground; in other words, it's pretty hard to get him around showing that he actually has a heart (in the very first episode, at least). In the crowd, he's either drunk or really just trying to avoid other people altogether, save for some certain people in his life. Once he's behind closed doors, that's where his emotions are dialed up to eleven, with sudden bursts of anger and messy tantrum that brings the best out of Cumberbatch.

Image source: Express


Patrick Melrose doesn't celebrate the lavishness of being a rich aristocrat, rather showing the hollowness of the life. Patrick, instead of indulging in social parties held in mansions, would either mock the rich socialites or pay close attention to the more sympathetic and darker side to them, like how he seems much more invested and sympathetic to a wife who had figured out her husband's affair rather than the party itself. Each episode is a character study of its protagonist, unraveling each and every one of his vital developments as well as his past. Patrick's life isn't all about money and drugs, there's something a lot deeper going on within him. You might think at first glance on the opening episode that Patrick was just a rich drug addict with sly humor, but then you see a scene where he visits his dead father in a morgue or the drug-inducing sequence in a multi-suite and you realize that there's an agonizing truth behind all the facade; complete with Melrose's childhood trauma that really hits the spot on an equally agonizing level (Hugo Weaving and Jennifer Jason Leigh are simply superb here).

Patrick Melrose is a catastrophically fascinating piece that explores the depths of addiction and trauma. There's more to Melrose that meets the eye, and the show is a character study of his struggle against addiction, which he finds as both his salvation and his doom. It is at times, so distraught to watch Melrose spiral into a mess, but yet you're enticed to his struggles and his way of overcoming grief. There's different tones that manages to tie together like a ribbon on each episode, such as its opening episode, Bad News being a comedic mess of drug-induced sequences that represent drugs as Patrick's salvation, his constant humor and tendency to mock being his way of overcoming grief, like how he mockingly retorts, "oh now you're going to make me sad too," directly at his dead father; then move to episodes that showcase Patrick's ruined family life, or its most wrecking episodes that displays Patrick's dark childhood. It has some great tone development in telling Patrick's story, showing how his drug addiction went from being his saving grace from his lavishly messed up life to the very thing that actually destroys him.

And the visuals are terrifically beautiful and aesthetically pleasing, drawing a fine line between the gorgeusness and the misery of living the rich life. The streets of New York are drawn in bright yet muted colors that highlight the city's lively bustle, while the multisuite that Patrick stays in remains bright even in the midst of his tantrum (a brilliant scene that captures Cumberbatch's ability to fully embrace Patrick's drug-induced madness). That was only the first episode, the rest continues this streak of brightly muted palette, showing that while the rest of the rich drown themselves in the high life, Patrick succumbs to the hollowness of it. Rather than embracing and fitting in to the world of the rich, he dismisses his place among it and is instead drawn to a much more hollow and miserable ground of it all.

While only having five episodes, Patrick Melrose knows how to narrow yet still flesh out Patrick's story as a well-rounded story without the rushed ending, which on the other hand, is a rather thought-provoking one. Each episode has its own complete story and finality whilst also enticing us to see what happens next. Nothing feels too rushed or too dragged. It feels rather like a complete show with an actual ending, which is more impressive when you consider that each episode is an adaptation of each of Edward St. Aubyn's Melrose novels. There's a sense of complete insight in Patrick's story, which is also harbored by Cumberbatch's stunning performance. It could take some time in unraveling Patrick's story altogether, but that is what keeps us tuned in for more, to see why Patrick is the way he is and his drug-filled life that is slowly spiralling into utter disaster. As catastrophic or overwhelming his situation could get, Patrick Melrose is an excellent show worthy of attention, and perhaps this is also Cumberbatch's best performance to date.


Image source: Radio Times


Overall verdict: Patrick Melrose brilliantly explores the depths of addiction and how addiction could be the ruin of a person's life. Patrick is a complex character with an agonizing childhood that transforms him into the drug-addicted aristrocrat that we are introduced to in the opening scene of the series. Cumberbatch is utterly superb in portraying the madness and emotional downpour of the protagonist, further cementing himself as one of the best actors of the generation. Weaving and Jason Leigh are also excellent in the series, though Weaving's character is an utter prick (even that is just an understatement of who he truly is). There might be a few loose ends that aren't tied together by the end of his story, but these are just minor problems, because for an adaptation of each of St Aubyn's novels, Patrick Melrose brilliantly weaves its story altogether and create a compelling journey of a man struggling with the very thing that becomes his doom: his addiction.

Stars: 4.2/5



Trailer
By Nadia Ranaputri

Image source: Popsugar


Director: Peyton Reed
Cast: Paul Rudd, Evangeline Lilly, Michael Douglas, Hannah John-Kamen, Laurence Fishbourne, Michael PeƱa, Walton Goggins, Bobby Cannavale, Judy Greer, Tip "T.I." Harris, David Dastmalchian, Abby Ryder Fortson, Randall Park.


The Marvel Cinematic Universe has been on a roll lately, laying out their universe and expanding it to new heights. In 2018, the MCU has brought us the gem that is Black Panther, and the culmination of their whole universe in Avengers: Infinity War. That leaves us one question: where were Ant-Man and the Wasp during Infinity War? Okay, maybe that isn't the most vital question that we're desperate for Marvel to answer (there are more dire questions at hand such as where the victims of the snap went off to or how the hell the remaining Avengers are going to undo the snap that wiped out half the universe), but at some point, we're left thinking where our tiny heroes were during the epic battle against the Mad Titan. Ant-Man and the Wasp, of course, answers that question.

Ant-Man and the Wasp opens to a more fleshed-out exposition of the flashback to Hank Pym and Janet Van Dyne's tragic mission that we first saw in the predecessor, further explaining Janet's sacrifice by going subatomic and in the process, entering the Quantum Realm. Fast forward to present day, and we're introduced once again to Scott Lang, who is only days away from finishing his house arrest sentencing, a consequence he had to take for going against the Accords back in Captain America: Civil War. Eventually, he's dragged back into action by Hope and Hank Pym, who require something from him as they realize that he had discovered something regarding Janet. As he finds out, Pym has a portable lab that could shrink and enlarge at will in which they have been building a portal to the Quantum Realm. They're not alone, however, as they too are being hunted down by a mysterious figure who could phase through solid objects as well as a group of black market mercenaries who are out to get Pym's portable lab for their own personal gains.

Paul Rudd returns as our tiny hero Scott Lang/Ant-Man, ever charming in the lead; has some spectacular comedic timing here as always. When under house arrest, there's only so much you can do, but if you're Paul Rudd, there's a lot you can do when you're one of the most genuinely funny actors out there, and here, he delivers. Once we're introduced to the situation that Scott has gotten himself into, he makes the most of it, by playing drums, building a tunnel for him and Cassie to play with; as well as the best part of it all: Scott singing karaoke. That's right, that happens. But once he's unwillingly pulled out of house arrest to help Hope and Hank, his streak of charm continues to brighten the screen, one particular scene being an awkwardly hilarious but intimate scene with Michael Douglas' Hank Pym and Evangelline Lilly's Hope Van Dyne that is so unbelievably funny, but the love and charm that he's brought to the film is still there. And when it comes to the more serious stuff, he still nails it without losing his charm.


Image source: Digital Spy

The standout however, is his partner in crime Evangeline Lilly as Hope Van Dyne, aka The Wasp. This time around, she's gets plenty of fun action scenes as she takes the mantle of the Wasp alongside Ant-Man. Though she begins as a one-woman-show type of person, she eventually teams up with Ant-Man, and what do you know, their chemistry together was a joy to see. Lilly knows how to hold her own in sharing the spotlight with Rudd, and they manage to create some spectacular back and forth banter together. Hope's perseverince is one of her biggest strengths, and an intriguing aspect of her character, further establishing her place and making her mark among other MCU heroines that came before her. She grounds the film with her fierce yet vulnerable atittude whilst also bringing a different kind of charm into the mix, and when it's time for her to shine, she makes damn sure that she's using it to her advantage.

Ant-Man and The Wasp is guaranteed to be a good time, with giant salt shakers and a Hello Kitty pez dispenser thrown around in battle. It's slightly different from your usual Marvel action sequences, perhaps since it has something to do with the shrinking and enlarging, but it still remains to be a heck of a fun time. The shrinking science mumbo jumbo is delved into a lot further here, and it is a delight. Just when you think you've seen everything there is to do with all the shrinking in the first Ant-Man, this one reassures that there's a lot more to it than meets the eye. We've seen the shrinking and enlarging of Thomas the Train and the enlargement of one of Scott's ants; this time around, there's an on-the-go lab that could shrink and enlarge at will, as well as an array of fully functional tiny cars that are very helpful in dire car chases (which actually paves way for a very creative car chase sequence).

But even then, it even has some heart and soul into it. Our heroes have people back home that are their primary motivation for saving the day, like how Cassie becomes Scott's motivation to become the Ant-Man. In the first Ant-Man, Scott was struggling to raise money in order to pay child support and see his daughter. After his heroic action in the predecessor, he earned his wish to spend some time with his daughter, but his actions during Civil War puts him back in a tight spot since he's under house arrest. During his house arrest sentencing, Scott is making sure that he is able to make the most of his time with his daughter Cassie whenever she visits him for the weekend (there's a very cute sequence of them playing around the house), whilst Hope and Hank are trying to hold on to the possibility that Janet is still alive, though they're also placed in a difficult position. Ant-Man and The Wasp carries this theme of family well throughout the film, giving a lot of space for some well-earned emotional scenes and plenty of heart into these characters. 


Image source: Nerdist


Then there's the antagonists, and there's a couple of them here. For one, they have Ghost, an enemy who can phase through objects and proves to be a real challenge for both Scott and Hope. But Ghost isn't necessarily a villain, she is more of someone who has different a goal than our heroes which could be said as an act of desperation rather than an act of true evil, though her main target of reaching said goal is the exact same with our heroes: through Pym's portable lab. Ghost is clearly the most interesting one out of the other antagonist that this film has under its belt, and it's a good thing since she is the main antagonist after all. The other group of antagonists, led by Walton Goggins' Sonny Burch; isn't all that interesting unfortunately, as they're merely placed on the sidelines of the film's cat-and-mouse game-like story, save for a great comedic scene with Michael PeƱa's Luis that involves a "truth serum" and Luis' storytelling tactic that has become an icon of the Ant-Man franchise.

Does Ant-Man and the Wasp feel like a filler? At some point, it does, due to the slightly overstuffed narrative that could have been bogged down a little bit. There are narrative elements here and there that could have been fleshed out more, such as some things that are resolved a little too quickly (one of them being a technical flaw with the Ant-Man suit) and cast aside for other arcs that really didn't need to be there, particularly the arc with Goggins and his gang. They really could have just gotten rid of Walton Goggins' Sonny Burch and his gang of black market criminals (they don't serve any real purpose to the story) and it wouldn't make much of a difference. If they had however, stuck with one antagonist (aka Ghost), that probably would have made it much better. Flaws aside, Ant-Man and the Wasp still has a lot of good moments going here and there, and the more genuinely heartfelt and fun moments definitely outweigh most of its flaws. It's not a perfect sequel, and for me, it doesn't have the same zing to the overall narrative as its predecessor, but it does pack in more variation into its story and its humor; reminding us what we loved about the first Ant-Man whilst also creating something new in the process without fully relying on repetition.

Image source: Entertainment Weekly

Overall verdict: Ant-Man and the Wasp is a definite fun time, especially if seen with friends and family. The comedic timing is still as brilliant as its predecessor, with iconic scenes such as Luis' babbling that become the predecessor's most memorable scene, and a very funny reference regarding Baba Yaga. The film's two leads, Rudd and Lilly are excellent and have great chemistry throughout the film. There's a lot of heart going on in this film, with family being the primary theme of the film, and it touches upon that beautifully. It does however, have a slightly overstuffed narrative with arcs and characters that really didn't need to be there in the first place, particularly Walton Goggins' Sonny Burch. Regardless, Ant-Man and the Wasp is still a good time and while it can feel like filler, it has plenty of great moments to keep the audiences along for the ride.

Stars: 3/5


Trailer
Newer Posts Older Posts Home

HELLO THERE!

Welcome to my blog! I'm an English Literature graduate navigating through a sea of films and books.

Categories

  • Articles/Editorials 12
  • Film Reviews 84
  • Movie Rewinds 6
  • Series Reviews 5

Contact Form

Name

Email *

Message *

Advertisement

Powered by Blogger.

Report Abuse

  • Home
  • Home
  • About
  • Contact
  • ►  2021 (15)
    • ►  July (1)
    • ►  June (2)
    • ►  May (1)
    • ►  March (2)
    • ►  February (4)
    • ►  January (5)
  • ►  2020 (10)
    • ►  December (5)
    • ►  November (1)
    • ►  May (2)
    • ►  February (2)
  • ►  2019 (9)
    • ►  November (3)
    • ►  October (1)
    • ►  September (1)
    • ►  July (1)
    • ►  May (2)
    • ►  March (1)
  • ▼  2018 (26)
    • ►  December (3)
    • ►  November (3)
    • ►  October (3)
    • ►  September (1)
    • ▼  July (3)
      • Mission: Impossible- Fallout - Review
      • Patrick Melrose- Series Review
      • Ant-Man and The Wasp- Review
    • ►  June (2)
    • ►  May (2)
    • ►  April (3)
    • ►  March (3)
    • ►  February (3)
  • ►  2017 (27)
    • ►  December (4)
    • ►  November (1)
    • ►  October (5)
    • ►  September (4)
    • ►  August (2)
    • ►  July (3)
    • ►  May (2)
    • ►  April (1)
    • ►  March (3)
    • ►  January (2)
  • ►  2016 (20)
    • ►  December (2)
    • ►  November (8)
    • ►  October (4)
    • ►  September (3)
    • ►  May (1)
    • ►  April (1)
    • ►  March (1)

Search This Blog

Blog Archive

  • 2021 15
    • July 1
    • June 2
    • May 1
    • March 2
    • February 4
    • January 5
  • 2020 10
    • December 5
    • November 1
    • May 2
    • February 2
  • 2019 9
    • November 3
    • October 1
    • September 1
    • July 1
    • May 2
    • March 1
  • 2018 26
    • December 3
    • November 3
    • October 3
    • September 1
    • July 3
      • Mission: Impossible- Fallout - Review
      • Patrick Melrose- Series Review
      • Ant-Man and The Wasp- Review
    • June 2
    • May 2
    • April 3
    • March 3
    • February 3
  • 2017 27
    • December 4
    • November 1
    • October 5
    • September 4
    • August 2
    • July 3
    • May 2
    • April 1
    • March 3
    • January 2
  • 2016 20
    • December 2
    • November 8
    • October 4
    • September 3
    • May 1
    • April 1
    • March 1
Show more Show less

Pages

  • Home
  • Home
  • Film Reviews
  • Series Reviews
  • Movie Rewinds
  • Editorials
  • What's Listed
  • Home
  • Features
  • _post format
  • _error page
  • Beauty
  • Fashion
  • Lifestyle
  • Contact
  • Buy now

Popular Posts

  • Nomadland- Review
    By Nadia Ranaputri Image credit: IMDB Director: ChloƩ Zhao Cast: Frances McDormand, David Straithairn, Linda May, Swankie, Peter Spears, Bo...
  • Shadow and Bone- Series Review
    By Nadia Ranaputri Image credit: TIME Series directors: Lee Toland Krieger, Dan Liu, Mairzee Almas, and Jeremy Webb. Cast: Jessie Mei Li, Be...
  • A Quiet Place Part II- Review
    By Nadia Ranaputri Image credit: IMDB Director: John Krasinski Cast: Emily Blunt, Cillian Murphy, Millicent Simmonds, Noah Jupe, Djimon Houn...
  • Home
  • Features
    • Error Page
    • Short Codes
  • Documentation
  • Download This Template

featured posts

Advertisement

Copyright © Mockingbird In A Blizzard. Designed by OddThemes