Mockingbird In A Blizzard
By Nadia Ranaputri


Source: IGN

Director: Matt Reeves
Cast: Andy Serkis, Woody Harelson, Steve Zahn, Karin Konoval, Amiah Miller.

Rise, Dawn, and the finality: War. Matt Reeves returns to helm the closing of the beloved Planet of the Apes trilogy that culminates all three films. As humans begin to wage war by the end of Dawn, War for the Planet of the Apes begins with a bang.

Having already found new civilization, Caesar and his colony are attacked by the millitary group that were sent in to wipe them off their base. As Caesar discovers that they are being hunted by the military and their ruthless leader The Colonel, Caesar takes it upon himself to plot revenge against The Colonel and end the war once and for all.

The most powerful aspect of War are the performances, particularly of Andy Serkis as Caesar. He’s become more intelligent and more human than the previous films. He speaks more than he gestures when it comes to communicating, and he’s more emotionally driven as ever. Caesar’s development comes full circle, as he becomes as human as he is an ape. Even a character comments on how Caesar’s eyes are almost human. But it’s where his motivations, determination, and anger that brings an emotional charge to Caesar, and brings out a spectacular performance from Serkis, quite possibly his best one of the three Apes films.

Source: Moviefone

There’s a saying that a hero is only as good as their villain, and that was exactly what War, and the previous two installments; did so masterfully. They capture both sides of the conflict, the apes and the humans; without emphasizing that one side is the good and one is the bad. Rise showed that the humans were the ones who started the whole fiasco, but it's the apes that finish it. Dawn showed that an ape can wage war against humans while they were in the midst of peace. War shows that misjudgement that led to an act of war on both sides have consequences. The villains are only villains in the eyes of one side, but to us, they’re people trying to survive and preserve what’s left of their race: the human race, just as much as Caesar is trying to save his.

In a movie about apes evolving, the rebooted Planet of the Apes franchise has had plenty of seamless cinematography, one of the prime examples being from Dawn, where a continuous shot sees Malcom running through corridors and rooms, trying to escape a fleet of apes. War has just as great of a cinematography as the other installments. War has seamless camera work that fully invests themselves on one standout aspect: emotion. It gets you up close and personal with the characters, particularly the apes; cutting through more than just admiring the impressive visuals, but also their facial expressions that are performed so brilliantly by the actors, that it's so close, yet still so far from becoming fully human.

Source: 20th Century Fox/comicbook.com

War packs as much action as Dawn, ranging their sequences from contained to big scale action; but it settles for more character moments and room to breathe. War takes its time brilliantly to get us invested into its world and the characters that live in it. Between those incredible action scenes, new friends are made, established relationships are forged even deeper and stronger than ever. War digs within the internal conflict of Caesar and his colony, especially Caesar's own internal conflicts. Plagued by hallucinations of his former friend turned enemy Koba, Caesar is haunted by the fact that he is slowly turning into a darker route. It's as big of an affair inside as it is outside. War is also a testament of conflicting power, flipping the table over from Dawn, whose position of power was gripped by Koba; to the humans snatching that position of power like a runner snatching a batton from another during physical exercise. But even then, War has its share of lighthearted moments between all the darkness, particularly from Steve Zahn's former zoo ape who provides much needed humor, something that lacked in the previous films.

Tapped as the closing of the franchise, War provides a satisfying close that feels so much like a finality, but opens up to some possibilities of something new, like a closed door that hasn't been locked yet. It's a journey of conflict, of anger, and most of all, compassion. War is a rivetting ride from start to finish, providing a balanced share of action and character moments. It knows when to raise the stakes, and when to take a breath. It doesn't stand above, but rather among Rise and Dawn. War for the Planet of the Apes can be many things, and masterful is one of them.

Stars: 4.4/5

Trailer
By Nadia Ranaputri

Source: IMDB

Director: Christopher Nolan
Cast: Fionn Whitehead, Tom Hardy, Harry Styles, Mark Rylance, Kenneth Branagh, Cillian Murphy, Jack Lowden, James D’Arcy.

After taking on the Dark Knight, create a world of infinite possibilities from dreams, and travelling through space and time, Christopher Nolan ventures in to a particular event that happened sometime during World War II.

Dunkirk is set during the days of World War II, where a group of Allied soldiers seek retreat in the beaches of Dunkirk whilst surviving from an ongoing fleet of Germans that could attack from every corner. With almost every attempt at an evacuation bombarded by German bombs, the soldiers have to spend every second of their life surviving whilst gradually seeking help and opportunities to escape the oncoming attacks.

Told in three different perspectives that are interwoven during one event, Dunkirk doesn’t focus on one particular arc or one particular character in the span of its 106 minute runtime. In fact, it feels as if Dunkirk has no main character, putting its focus various arcs that are told from the perspectives of various grounds: on land, on air, and on sea; which are told brilliantly through a non-linear storyline that eventually come together as the film progresses. Similar to what Ridley Scott did with the first Alien, Dunkirk spares itself of character introductions and information, and like Scott’s Alien, it plunges us right into the main course, or in Dunkirk’s case, plunges us headfirst into the war just as if our heads had been pushed in ice cold water without fair warning. The characters we see are eventually at stake the moment the film opens. 

Source: Den of Geek
 
Dunkirk isn’t the war epic with heroic scenes to make the audience cheer; it is the complete opposite of it. It’s instead filled with endless soldiers constantly running for their life from attacks. There are no heroic feats where someone stands up from themselves and show the others how it’s done. They are on the run, and they are trying to save themselves and whoever comes with them. It is more than just a war epic. Dunkirk goes beyond what one expects from a war film. It doesn’t glorify the epic scale of war and heroicness; it glorifies the reality that this was what soldiers had to go through, an event that traumatizes them and has scarred them for life. There’s little hope for them as they are forced to run for their lives each and every second that they stay on war-torn territory.  

Source: Cinema Vine
  
Despite the action being contained on a minimal scale that unlike Mel Gibson’s war epic Hacksaw Ridge; doesn’t delve much into the gore, Dunkirk still manages to pack a riveting punch with its fair share of action from aerial dogfights to sequences of absolute peril, and an equally riveting impact to us as the audience as much as it did on the characters. Through it, Hans Zimmer’s score flows through every act like a hazardous ticking bomb that wonderfully intensifies the scenes even further.

Dunkirk also has incredible cinematography that is best watched on a 70mm scale (or in this case, IMAX). Every scene is beautifully shot, from wide-shots on the ground, wide-shots on the air, close-ups, to hand-held. Dunkirk is truly an immersive experience that kicks us right into the action and keeps us there for the span of its runtime. While Dunkirk focuses on the evacuation of thousands of soldiers in peril, it’s a small part of an already bigger war to come. It’s more realistic than dramatic, and more contained than epic, but that was what truly made Dunkirk an experience. It is possibly Nolan’s best film to date, but one thing is certain: it is the best film I’ve seen by far this year. 
 
Stars: 4.7/5

Trailer
By Nadia Ranaputri
Source: IMDB

Director: Jon Watts
Cast: Tom Holland, Michael Keaton, Robert Downey Jr, Jon Favreau, Jacob Batalon, Zendaya, Laura Harrier, and Marisa Tomei
.

Spidey’s come back home, a sentence that we thought we’d never say all those years ago. After his short yet memorable debut in Captain America: Civil War, Spidey has returned with his very own solo debut that crosses out the norm of having his film be a repetition of his origin.

Taking place after the events of Civil War, Spider-Man, aka Peter Parker, returns to his normal life in Queens, New York, where he yearns for something bigger than just being the friendly neighborhood Spider-Man who does simple missions that drives him further away from any actual danger; despite the advice from Tony Stark to “stay close to the ground.” Eventually, he’s got his yearn fulfilled when a new villain by the name of the Vulture rises from the radar.

Tom Holland’s second round of playing the main role of the web-slinger is unlike the others. There’s such a relatable vibe to this Peter Parker, which is probably helped by its portrayer Tom Holland, whose performance and appearance bears a very genuine childish charm that the other portrayers (Maguire and Garfield) did not have. Peter Parker is a high school kid, who just so happens to be Spider-Man, but overall he’s just a kid, and even if he is Spider-Man, it doesn’t exclude him from the fact that he still has a lot to learn. What makes this particular Spider-Man so endearing, especially being portrayed as a young boy in high school, is that even if his fighting skills were shown to be impressive in Civil War, he still hasn’t fully harnessed his powers; from struggling through the upgrades on his suit to not fully harnessing his web-slingers at times in the middle of a fight. A minor downgrade to this particular Spider-Man however, is how his suit is modified this time around (by Tony Stark, who fortunately, does not take over the whole film). Sometimes the line is a blur between which of his powers are from the modifications of his suit or from himself, something that did bother as the film progresses.

Rivaling our friendly neighborhood Spider-Man is MCU’s newest villain the Vulture. As MCU villains go, the Vulture has a surprising amount of depth and backstory, though his motivations lacks slightly the more you know about him. Unlike most MCU villains, the Vulture plays quite an integral role in Spider-Man’s life, which was refreshing to see.

Source: IMDB

Spider-Man: Homecoming derives from the usual story that of the web-slinger’s origin arc, straying from the obligatory repetition of how Spider-Man got his powers and the Uncle Ben arc, since it’s already a common story among fans. Instead, Homecoming takes place right after the events of Civil War, dropping hints of his origin without overpowering the whole story. Though his origin is not the film’s main arc, it is still very much a Peter Parker-centered story, mostly centering on Peter himself in his normal mundane life, and feels very close to a coming-of-age teen film at times, even more so than the previous films, yet it has a natural transition from this coming-of-age film to an actual Spider-Man film. You have story about a teen on one side, and a story about a superhero on the other without it fretting a lot of the pacing. 

The action sequences were fun and entertaining to watch, but they do lack a little bit of tension, though it’s not much of a bother. The action scenes are fun and pack that familiar Spider-Man vibe to them, but some do feel very contained, despite the vast MCU universe that surrounds him. It might not be up to the standards of the action in other MCU films, but it certainly feels a little fresh to see a contained action sequence, especially in an MCU film. 

Source: IMDB

As a Spider-Man film, Spider-Man: Homecoming is a refreshing new take on the Spider-Man story without it having to repeat his origin for the third time. Though it’s the very familiar friendly neighborhood Spider-Man, Homecoming feels very new and fresh, and it’s mostly helped by its way of placing familiar colors on a new slate. For a welcome return in the MCU, Spidey is right where he needs to be: right home. 

Stars: 4/5

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