Mockingbird In A Blizzard
By Nadia Ranaputri

Source: batman-news.com

Director: Patty Jenkins
Cast: Gal Gadot, Chris Pine, Robin Wright, Danny Huston, David Thewlis, Connie Nielsen, Elena Anaya


In the midst of what seems to be a weak start among the reception of DC’s Extended Universe, it’s about time that DC’s most iconic female character takes the screen to show them how it’s done. As she graces to the frontier, she is simply stating, “I got this.” And she does. 

Wonder Woman is the origin piece to DC’s iconic female heroine, telling her story about a century from her first appearance in Batman V Superman. As the daughter of Queen Hypolita, Diana was raised to be a fierce warrior from youth. Diana’s world takes a tumble when an American pilot ends up stranded in her homeland of Themyscira. As she hears of a war raging from the outside world, Diana becomes determined to enter the war herself, and enters headfirst into the mighty war of mankind.

Leading the film’s weight on her shoulders is Gal Gadot as Wonder Woman, and simply put, is stunning and riveting as the lead heroine of the film. From her giddy and naĆÆve light in seeing everything for the first time (the most memorable highlight being her giddiness of tasting ice cream for the first time), to becoming a fierce warrior on the battlefield. Gadot is paired perfectly with Chris Pine’s Steve Trevor, whose constant hesitance turned admiration of the Amazon warrior makes the pair all the more electric. Both learn the discoveries of one another, as Diana learns of something deeper about mankind through Steve that develops her perspective of them. 

Source: batman-news.com
 
Unlike its critically panned DCEU predecessors, Wonder Woman is the gulp of hope that one has been waiting for. It knows its pacing and it knows how to utilize it. When Batman V Superman lacks a solid story and punch, Wonder Woman shows that a couple of great character moments matter just as much as the action. Wonder Woman packs a riveting storyline with solid pacing, giving plenty of space for its characters to breathe. Once all hell goes loose, we care about these characters that are thrown in the pits of war, given the amount of character moments in the midst of all the action. Set to a backdrop of World War I, it plays with its setting of the historical backdrop while keeping the superhero elements at bay. Terrific action scenes that range from the world of Themyscira, to the front lines of the war are sure to bring the biggest goosebumps and joyful tears for fans of the Amazon warrior.

It is also possibly, and surprisingly, DCEU’s most satisfyingly colorful entry to date. While Suicide Squad has plenty of colors, it’s a messy outcome, as if children were throwing different colors on a canvas at the same time, not caring about the mess of colors in the aftermath. Wonder Woman is the fine painting from a professional artist that one can admire for hours. Moody colors are brightened up by the colors of Diana’s Wonder Woman costume, shining like a beam of light on a murky road, and a somewhat grim London that is overshadowed by Diana’s giddy-like reaction to the outside world. 

Its downfall however, lies within the third act, which despite it having the film’s biggest emotional punch; it is also the typical CGI climax that doesn’t give as much of an impact as much as the previous acts. This downfall is a reflection of the film’s underwhelming villains. Because of the lack of depth placed in the film’s villains, it’s easy to see how the third act isn’t as impactful as the previous acts, though it isn’t as big of a CGI mess as you’d probably think it is.


Source: batman-news.com
 
All that aside, Wonder Woman is the triumph that fans and critics alike have been waiting for, and have held their hope to. Despite its weaker aspects, Wonder Woman provides a satisfying release that lets one scream “Finally!” to the screen upon delivering DCEU’s strongest entry to date. The DCEU still has a long way to go, but Wonder Woman is the great leap that the universe needed to reach the finish line.

Stars: 4.2/5
By Nadia Ranaputri

Source: Slashfilm

Director: Ridley Scott
Cast:
Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, Carmen Ejogo, DemiƔn Bichir.

Space, gore, and Xenomorphs. All are back for Ridley Scott's next installment of the Alien franchise, but how does it fair among 1979's Alien?

Alien: Covenant is the follow-up to 2012's Prometheus (a film with countless of divisive arguments among critics and general audiences), setting up a few years after the events of Prometheus. A colony ship called the Covenant, carrying 2000 colonists; are heading to their new home on a distant planet several years away from where they are. During the journey, the crew discovers a transmission from an uncharted planet. Despite hesitation from one of the crew members, the Covenant crew is determined to explore the planet, eventually finding that they were walking straight into a death trap.
 

When it comes to the performances, none of the cast holds back. When terror strikes, it's their reactions that make the experience ever the more terrifying. From Katherine Waterston's strong-headed Daniels, Billy Cudrup's nervous yet determined Covenant Captain Oram, to Michael Fassbender's collected David. The emotions that these characters go through are shown as raw as possible, going from grief to outright horrified at the oncoming terrors that come to haunt them. 

Source: Comic Book Movie
Alien: Covenant revels in bringing back everything one loved about the original Alien films, including the eerie tone and gruesome horror that made the original films memorable. The gore is so terrifically Alien, that it's almost a guilty pleasure to relish in. Unlike Prometheus, Alien: Covenant does feel a lot closer to the first Alien film, given that its events will eventually lead to the 1979 film. Its connections mostly linger to what happened in Prometheus, but its tone comes closer to that of Alien, involving those of the opening title sequence, a brilliant nod to the original Alien title opening, as well as the eerie feeling that you’re not alone, yet at the same time, you’re isolated and have no one to turn to for help.

There are a couple of throwbacks, the most obvious being from Prometheus, as the film's events and aftermath are explained, as well as some familiar aspects from the first film. Other than the tone, Alien: Covenant brings back what the Alien films do best: create tension by terrifying scenes that are completely devoid of any music. Those particular scenes are much more horrific without the music, making the scenes raw and remote.

Source: Film School Rejects

Despite the return to a more familiar storytelling and tone that feels a lot closer to the essence of the Alien films, Alien: Covenant manages to have a story of its own, exploring a new slate for the franchise. However, it does have its inconsistencies in storytelling, sometimes focusing on one thing while a much more interesting plot is happening right next door, which causes a couple of missed opportunities that would have made the storyline more consistent and fresh. 

Moreover, we're not given much time to warm up, or even know about the crew other than their ranks. There are scenes where we find that this certain crew member is the wife or the husband of another crew member through dialogue, and that's really all the information you're going to get from them. Other than that, they're mostly mere victims walking into slaughter. The deaths are downright brutal (actually a good thing), yet we only see them as pawns to dial up that brutality. The first Alien was clear on the fact that it focused more on story than character, pushing aside character moments to really get their story going. It relied on its main story and atmosphere, and it works, if done in the right way. In Alien: Covenant, they try to give some character moments and more depth to these characters, which in some cases, when clashed with the need to get the story going; isn't as efficient when these character moments are simply fillers, and that's exactly what happened in Covenant. The characters come off as disposable, with a couple of them meeting their end a lot earlier before we even know who they are, so you wonder why they even bother to give depth if you're going to kill them right after.

That being said, Alien: Covenant nails the visual and storytelling aspect, despite its inconsistencies, relishing the familiar gruesome and isolated tone that made the original films an experience to watch. In all its gorgeous visuals and compelling story, its characters aren’t much to be invested in, given that some meet their end as fast as they were introduced. All that aside, Alien: Covenant is still a riveting film that could be overlooked on its downfalls, as it triumphs in everything else that makes it what it is: truly Alien.

Stars: 3.5/5

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